Supplementary audio and visual examples for

INTRODUCTION

Audio examples

• Act 2 Finale, “Don Giovanni, a cenar teco.” Wilhelm Furtwängler, Salzburg Festival Orchestra, 1953 (live recording, Salzburg Festival). DG Cesare Siepi, L Otto Edelmann, C Raffaele Ariè.
  Text pp. 14-15.
• Act 2 Finale, “Don Giovanni, a cenar teco.” Wilhelm Furtwängler, Vienna Philharmonic, 1954 (live recording, Salzburg Festival). DG Cesare Siepi, L Otto Edelmann, C Deszö Ernster.
  Text pp. 14-15.

CHAPTER 1

Visual examples
Figure 1.2. 78 rpm disc labels, 1907-55.
Text pp. 25-27.

• Giuseppe Anselmi, “Il mio tesoro intanto” (Fonotipia 62167, 1907). Courtesy Music Library Special Collections, University of Washington Libraries. Photograph by the author.
• Elisabeth Schumann, “Schmäle, schmäle, lieber Junge” (Odeon 76726, 1917). Courtesy Music Library Special Collections, University of Washington Libraries. Photograph by the author.
• Ezio Pinza, “Fin ch’han dal vino” (Victor 1467, 1930). Courtesy Music Library Special Collections, University of Washington Libraries. Photograph by the author.
• Giuseppe Taddei, “Deh vieni alla finestra” (Cetra AT 0403, 1955). Courtesy Music Library Special Collections, University of Washington Libraries. Photograph by the author.

Audio examples
“Deh vieni alla finestra.” Antonio Scotti, 1909 (Victor 88194). Opening phrase played back at different speeds. Courtesy Music Library Special Collections, University of Washington Libraries.
Text p. 40.

• A = 440 Hz
• 2.5% slower than A = 440 Hz
• 2.5% faster than A = 440 Hz
• 5% slower than A = 440 Hz
• 5% faster than A = 440 Hz

CHAPTER 2

Audio examples

• “Deh vieni alla finestra.” Victor Maurel, 1904 (Fonotipia 39041).
  Text pp. 44-56.
• “Deh vieni alla finestra.” Ezio Pinza, 1930 (Victor 1467).
  Text pp. 44-51, 58-59.
• “Deh vieni alla finestra.” Mario Sammarco, 1909 (Gramophone 2-052013).
  Text pp. 53-55.
• “Deh vieni alla finestra.” Maurice Renaud, 1908 (HMV D 851). Courtesy Music Library Special Collections, University of Washington Libraries.
  Text pp. 54, 56.
• “Deh vieni alla finestra.” Antonio Scotti, 1909 (Victor 88194). Courtesy Music Library Special Collections, University of Washington Libraries.
  Text pp. 54, 56-57.
• “Deh vieni alla finestra.” Mattia Battistini, 1902 (HMV VA 5).
  Text pp. 54, 57-58.
• “Horch auf den Klang der Zither.” Heinrich Schlusnus, 1935 (Polydor 62760).
  Text pp. 59-60.
• “Deh vieni alla finestra.” Paul Schöffler, 1947 (Decca M 613).
  Text p. 60.
• “Deh vieni alla finestra.” Giuseppe Taddei, 1955 (Cetra AT 0403).
  Text pp. 60-61.

CHAPTER 3

Audio examples

• “Fin ch’han dal vino.” Francisco D’Andrade, 1906-07 (Parlophone PO 69). Courtesy Music Library Special Collections, University of Washington Libraries.
  Text pp. 67-69.
• “Fin ch’han dal vino.” Mattia Battistini, 1902 (HMV AGSA 24).
  Text pp. 69-71.
• “Auf zu dem Feste.” Leopold Demuth, 1909 (Gramophone GC 4-42230). Courtesy Music Library Special Collections, University of Washington Libraries.
  Text pp. 69-71.
• “Fin ch’han dal vino.” Ezio Pinza, 1930 (Victor 1467).
  Text pp. 71-72.
• “Il mio tesoro intanto.” Giuseppe Anselmi, 1907 (Fonotipia 62167). Courtesy Music Library Special Collections, University of Washington Libraries.
  Text pp. 79-80.
• “Il mio tesoro intanto.” Richard Tauber, 1939 (Decca 16001).
  Text pp. 80-81.
• “Il mio tesoro intanto.” John McCormack, 1916 (Victor 74484).
  Text pp. 81-82.

CHAPTER 4

Audio examples

• “Batti batti, o bel Masetto.” Adelina Patti, 1905 (HMV 03055).
  Text pp. 91-92.
• “Batti batti, o bel Masetto.” Geraldine Farrar, 1908 (Victor 88126).
  Text pp. 93-94.
• “Batti batti, o bel Masetto.” Bidu Sayão, 1942 (Columbia 71577-D).
  Text p.95.
• “Là ci darem la mano.” Eva Tetrazzini and Luigi Baldassare, 1907 (Phonodisc Mondial 97). Courtesy Music Library Special Collections, University of Washington Libraries.
  Text pp. 97-98.
  
• “Là ci darem la mano.” Geraldine Farrar and Antonio Scotti, 1908 (Victor 89015). Courtesy Music Library Special Collections, University of Washington Libraries.
  Text pp. 99-100.
  
• “Reich mir die Hand, mein Leben.” Ellen Brandt-Forster and Leopold Demuth, 1902 (Gramophone 44180). Courtesy Music Library Special Collections, University of Washington Libraries.
  Text p. 100.
• “Reich mir die Hand, mein Leben.” Elise Elizza and Friedrich Weidemann, 1907 (Gramophone 2-44165). Courtesy Music Library Special Collections, University of Washington Libraries.
  Text p. 100.
  
• “Reich mir die Hand, mein Leben.” Erna Berger and Heinrich Schlusnus, 1936 (Polydor 62760).
  Text p. 100.
• “Là ci darem la mano.” Audrey Mildmay and John Brownlee, 1936 (HMV DB 2961-2983).
  Text p. 102.

CHAPTER 5

Visual examples
Figure 5.1 LP album set covers, 1955-85
Text pp. 112-15.

• Carlo Maria Giulini, Philharmonia Orchestra, 1959 (EMI SLS 5083). Author’s personal collection. Photograph by the author.
• Daniel Barenboim, English Chamber Orchestra, 1974 (Angel SDL 3811). Author’s personal collection. Photograph by the author.
• Karl Böhm, Vienna Philharmonic, 1977 (Deutsche Grammophon 2709 085). Author’s personal collection. Photograph by the author.
• Josef Krips, Vienna Philharmonic, 1955 (Decca LXT 5103–5106). Author’s personal collection. Photograph by the author.
• Rafael Kubelik, Symphonie-Orchester des Bayerischen Rundfunks, 1985 (Eurodisc 302 435–445). Author’s personal collection. Photograph by the author.

Audio examples

• Act 2 Recitative, “Leporello. Signore.” Ferenc Fricsay, Radio-Symphonie-Orchester Berlin, 1958 (Deutsche Grammophon SLPM 138 050-52). DG Dietrich Fischer-Dieskau, L Karl Christian Kohn.
  Text pp. 122-24.
• Act 2 Recitative, “Leporello. Signore.” Bruno Walter, Metropolitan Opera Orchestra, 1942 (live recording, New York Metropolitan Opera). DG Ezio Pinza, L Alexander Kipnis.
  Text p. 123.
• Act 2 Recitative, “Leporello. Signore.” Riccardo Muti, Vienna Philharmonic, 1990 (EMI 7 54255 2). DG William Shimell, L Samuel Ramey.
  Text pp. 123, 126.
• Act 2 Recitative, “Leporello. Signore.” Teodor Currentzis, Musicaeterna, 2015 (Sony Classics 88985316032). DG Dimitris Tiliakos, L Vito Priante.
  Text pp. 123-24.

CHAPTER 6

Audio examples

• Act 1 Recitative, “In questa forma dunque.” Bernard Haitink, London Philharmonic Orchestra, 1984 (EMI 7 47037 8). DE Maria Ewing.
  Text p. 130.
• Act 2 Recitative, “In quali eccessi, o Numi.” Wilhelm Furtwängler, Vienna Philharmonic, 1954 (live recording, Salzburg Festival). DE Elisabeth Schwarzkopf.
  Text pp. 130-32.
• Act 2 Recitative, “In quali eccessi, o Numi.” Carlo Maria Giulini, Philharmonia Orchestra, 1959 (EMI SLS 5083). DE Elisabeth Schwarzkopf.
  Text pp. 130-32.
• Act 2 Duet, “Eh via buffone”; Recitative, “Leporello. Signore.”; Trio, “Ah taci ingiusto core”; Recitative, “Amico, che ti par?” Fritz Busch, Glyndebourne Festival Orchestra, 1936 (HMV DB 2961-2983). DG John Brownlee, L Salvatore Baccaloni, DE Luise Helletsgruber.
  Text pp. 133-37.
• Act 2 Duet, “Eh via buffone”; Recitative, “Leporello. Signore.”; Trio, “Ah taci ingiusto core”; Recitative, “Amico, che ti par?” Carlo Maria Giulini, Philharmonia Orchestra, 1959 (EMI SLS 5083). DG Eberhard Wächter, L Giuseppe Taddei, DE Elisabeth Schwarzkopf.
  Text pp. 134, 137-39.
• Act 2 Duet, “Eh via buffone”; Recitative, “Leporello. Signore.”; Trio, “Ah taci ingiusto core”; Recitative, “Amico, che ti par?” René Jacobs, Freiburger Barockorchester, 2006 (Harmonia Mundi 901664.66). DG Johannes Weisser, L Lorenzo Regazzo, DE Alexandrina Pendatchanska.
  Text. p. 143

CHAPTER 7

Audio examples

• Act 1 Finale, “Ricominciate il suono!” (ballroom sequence). Carlo Maria Giulini, Philharmonia Orchestra, 1959 (EMI SLS 5083). DG Eberhard Wächter, DA Joan Sutherland, DE Elisabeth Schwarzkopf, DO Luigi Alva, L Giuseppe Taddei, Z Graziella Sciutti, M Piero Cappuccilli.
  Text pp. 154-55.
• Act 1 Finale, “Ricominciate il suono!” (ballroom sequence). René Jacobs, Freiburger Barockorchester, 2006 (Harmonia Mundi 901664.66). DG Johannes Weisser, DA Olga Pasichnyk, DE Alexandrina Pendatchanska, DO Kenneth Tarver, L Lorenzo Regazzo, Z Sunhae Im, M Nikolay Borchev.
  Text p. 157.
  Excerpt begins at 2:33.
• Act 1 Finale, Allegretto-Menuetto. Max Rudolf, Orchestra Sinfonica di Torino della RAI, 1955 (Cetra C 1253). DG Giuseppe Taddei, DA Maria Curtis Verna, DE Carla Gavazzi, DO Cesare Valletti, L Italo Tajo, Z Elda Ribetti, M Vito Susca, C Antonio Zerbini.
  Text pp. 158-59.
  Excerpt begins at 3:36.
• Act 1 Finale, Allegretto-Menuetto. Carlo Maria Giulini, Philharmonia Orchestra, 1959 (EMI SLS 5083). DG Eberhard Wächter, DA Joan Sutherland, DE Elisabeth Schwarzkopf, DO Luigi Alva, L Giuseppe Taddei, Z Graziella Sciutti, M Piero Cappuccilli.
  Text pp. 158-59.
  Excerpt begins at 1:57
• Act 1 Finale, Allegretto-Menuetto. Ferenc Fricsay, Radio-Symphonie-Orchester Berlin, 1958 (Deutsche Grammophon SLPM 138 050-52). DG Dietrich Fischer-Dieskau, DA Sena Jurinac, DE Maria Stader, DO Ernst Haefliger, L Karl Christian Kohn, Z Irmgard Seefried, M Ivan Sardi.
  Text pp. 158-59.
  Excerpt begins at 2:05.
• Act 1 Finale, “Protegga il giusto cielo.” Herbert von Karajan, Berlin Philharmonic, 1985 (Deutsche Grammophon 419 179-2). DA Anna Tomowa-Sintow, DE Agnes Baltsa, DO Gösta Winbergh.
  Text pp. 160-62.
  Excerpt begins at 2:36.
• Act 1 Finale, “Protegga il giusto cielo.” René Jacobs, Freiburger Barockorchester, 2006 (Harmonia Mundi 901664.66). DA Olga Pasichnyk, DE Alexandrina Pendatchanska, DO Kenneth Tarver.
  Text pp. 161-62.
  Excerpt begins at 1:46.
• Act 1 Finale, ballroom sequence through end (accelerating conclusion). Fritz Busch, Glyndebourne Festival Orchestra, 1936 (HMV DB 2961-2983). DG John Brownlee, DA Ina Souez, DE Luise Helletsgruber, DO Koloman von Pataky, L Salvatore Baccaloni, Z Audrey Mildmay, M Roy Henderson.
  Text pp. 162-64.
  Excerpt begins at 2:56.
• Act 1 Finale, ballroom sequence through end (accelerating conclusion). Josef Krips, Vienna Philharmonic, 1955. (Decca LXT 5103-5106). DG Cesare Siepi, DA Suzanne Danco, DE Lisa Della Casa, DO Anton Dermota, L Fernando Corena, Z Hilde Gueden, M Walter Berry.
  Text pp. 162-64.
  Excerpt begins at 2:42.
• Act 1 Finale, ballroom sequence through end (accelerating conclusion). Max Rudolf, Orchestra Sinfonica di Torino della RAI, 1955 (Cetra C 1253). DG Giuseppe Taddei, DA Maria Curtis Verna, DE Carla Gavazzi, DO Cesare Valletti, L Italo Tajo, Z Elda Ribetti, M Vito Susca.
  Text pp. 162-64.
  Excerpt begins at 1:31.
• Act 1 Finale, ballroom sequence through end (tableau-like conclusion). Carlo Maria Giulini, Philharmonia Orchestra, 1959 (EMI SLS 5083). DG Eberhard Wächter, DA Joan Sutherland, DE Elisabeth Schwarzkopf, DO Luigi Alva, L Giuseppe Taddei, Z Graziella Sciutti, M Piero Cappuccilli.
  Text pp. 165-67.
  Excerpt begins at 0:05; “Tutto tutto già si sa” begins in the next track at 0:52.
• Act 1 Finale, ballroom sequence through end (tableau-like conclusion). Daniel Harding, Mahler Chamber Orchestra, 1999 (Virgin Classics 7243 5 45425 2 7) DG Peter Mattei, DA Carmela Remigio, DE Véronique Gens, DO Mark Padmore, L Gilles Cachemaille, Z Lisa Larsson, M Till Fechner.
  Text pp. 165-67.
  Excerpt begins at 2:40; “Tutto tutto già si sa” begins at 5:30.