“Hancock’s American Allegory represents the first book-length meditation on how the neoswing renaissance, and its ahistorical cross-cultural engagement with ‘African American cultural forms,’ sustains racial domination. . . . Hancock’s prose is…inspired. . . . . Allegory deserves a readership beyond well-credentialed white liberals committed to more expansive forms of self-loathing and would be a vital addition to syllabi in courses on racialization, culture, and methodology. Like the protagonist of Invisible Man, Hancock’s hunger for justice remains unabated, I figure, and I look forward to his next excavation of the remaining riddles in the American vernacular.”

American Journal of Sociology

"Hancock critically engages the racial imagination surrounding the expressive nature of dancing and how black and white bodies are coded differently. His argument is an important expansion of scholarship in American culture because Hancock posits the body as a site of cultural memory. . . . An important piece of scholarship on racial displacement, expressive culture, and the residue of racial segregation in urban spaces and places. The author makes an original contribution to American culture by the honesty and bravado he displays by writing a genealogy of the Lindy Hop and the complications of race that influence the dance from the 1920s to the present day Steppin', which is performed today."

Journal of American Culture

"You will be glad to have come across this study. It keeps a good balance between academic study and cultural practice ’as told by an insider’ who carefully investigates an art form both intellectually and physically."

Jive-Talk.com

“In American Allegory, Black Hawk Hancock has written a rich and intricately detailed ethnography of the distinct worlds of lindy hop and steppin’. Here, readers are offered a guide to the ways in which cultural expressions have come to occupy separate racial and spatial realms and how this apparent segregation of race, culture and identity is practiced in the United States today.”

Andrew Deener, author of Venice: A Contested Bohemia in Los Angeles

“Black Hawk Hancock provides a fascinating dance ethnography situation within the larger context of Chicago’s segregated social landscape. By deploying Bourdieu’s notion of ‘habitus’ as a recurring conceptual hook in a ‘carnal sociology’ reminiscent of Loic Wacquant’s, Hancock offers an entertaining and valuable new perspective in the ongoing debates about the organization and reproduction of America’s racial order. American Allegory is a fluent and nuanced piece of scholarship.”

John L. Jackson, Jr., author of Real Black: Adventures in Racial Sincerity