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Black, White, and in Color

Essays on American Literature and Culture

A landmark, career-spanning collection by a critic whom Henry Louis Gates, Jr. lauded as "a major thinker"

Black, White, and in Color offers a long-awaited collection of major essays by Hortense Spillers, one of the most influential and inspiring black critics of the past twenty years. Spanning her work from the early 1980s, in which she pioneered a broadly poststructuralist approach to African American literature, and extending through her turn to cultural studies in the 1990s, these essays display her passionate commitment to reading as a fundamentally political act-one pivotal to rewriting the humanist project.

Spillers is best known for her race-centered revision of psychoanalytic theory and for her subtle account of the relationships between race and gender. She has also given literary criticism some of its most powerful readings of individual authors, represented here in seminal essays on Ralph Ellison, Gwendolyn Brooks, and William Faulkner. Ultimately, the essays collected in Black, White, and in Color all share Spillers's signature style: heady, eclectic, and astonishingly productive of new ideas. Anyone interested in African American culture and literature will want to read them.

570 pages | 6 x 9 | © 2003

Black Studies

Literature and Literary Criticism: American and Canadian Literature

Women's Studies:

Reviews

“Hortense Spillers has been one of the central shaping forces in African American feminist theory and criticism for the past two decades. Each of us in the field—both colleagues and students—has profited greatly from her bold, insightful, and original interpretations of what it means to be black and a woman and dare to speak or write. Spillers’s voice has played such a fundamental part in contemporary critical discourse that one can hardly believe that her work has not been collected before. But Black, White, and in Color was well worth the wait. Its publication only reaffirms Spillers’s pivotal role as a major thinker in African American letters and literary theory.”

Henry Louis Gates Jr., Harvard University

"For anyone who is interested in African-American culture, or women's writing, this collection of essays will be indispensable."

David Marriott | Year's Work in Critical and Cultural Theory

"To call this book essential on any syllabus of women’s studies, African-American studies or any course on the history of the United States would be a genuine step in the right direction."

Chris Mansel | Reviews/Earthlink.Net

Table of Contents

Preface
Acknowledgments
Introduction- Peter’s Pans: Eating in the Diaspora
1. Ellison’s "Usable Past": Toward a Theory of Myth
2. Formalism Comes to Harlem
3. A Hateful Passion, A Lost Love: Three Women’s Fiction
4. Gwendolyn the Terrible: Propositions on Eleven Poems
5. "An Order of Constancy": Notes on Brooks and the Feminine
6. Interstices: A Small Drama of Words
7. Changing the Letter: The Yokes, the Jokes of Discourse, or, Mrs. Stowe, Mr. Reed
8. Mama’s Baby, Papa’s Maybe: An American Grammar Book
9. "The Permanent Obliquity of an In(pha)llibly Straight": In the Time of the Daughters and the Fathers
10. Moving on Down the Line: Variations on the African-American Sermon
11. Black, White, and in Color, or Learning How to Paint: Toward an Intramural Protocol of Reading
12. Notes on an Alternative Model—Neither/Nor
13. Who Cuts the Border? Some Readings on America
14. Faulkner Adds Up: Reading Absalom, Absalom! and The Sound and the Fury
15. "All the Things You Could Be by Now, If Sigmund Freud’s Wife was Your Mother": Psychoanalysis and Race
16. The Crisis of the Negro Intellectual: A Post-Date
Notes
Index

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