“To understand opera we need to understand opera houses: this is the deceptively simple premise of Opera and the Built Environment. In Vasilyeva’s hands, however, it is an idea made foundational, as the classic tiered design of the operatic theater is revealed as a place of thresholds and surfaces, materials and atmospheres. Within its spaces, the operatic canon looks and sounds different, too, in the inseparability of the repertoire from the buildings in which it has for so long been performed. Across each chapter, we encounter the opera house transfigured, and by the end of this remarkable book the history of opera itself has been subtly reshaped.”

Benjamin Walton, University of Cambridge

“Engagingly written and compellingly argued, Opera and the Built Environment opens our senses to key architectural features that became common to the operatic experience in the later nineteenth century. From red interiors to sunken pits and from air circulation to steel frames, Vasilyeva reveals the complex cultural, material, scientific, and sociopolitical factors involved in the standardization of nineteenth-century Italian theaters. Opera and the Built Environment is an essential, fascinating read.”

Gundula Kreuzer, Yale University

“In prose as glittering and multifaceted as the theaters she studies, Vasilyeva invites us on a fascinating journey through the bedrock of operatic culture. Opera and the Built Environment reveals the forgotten histories that continue to shape our experience as spectators and demonstrates how much meaning inheres in stone and silk. This is musicology by way of W. G. Sebald, and the teatro all’italiana will never look the same again.”

Arman Schwartz, University of Notre Dame