“Ever wonder why the great museums of New York City, Pittsburgh, and Chicago are filled with Jurassic dinosaurs? Brinkman’s account looks at when early dinomania spurred museums to try to get the biggest and best dinosaurs for their displays, setting the foundation for exhibits that still stand today.”

National Geographic

“A detailed example of how superlative specimens have played essential roles in museum reputation and identity.”

WIRED

“Comprehensive and accessible. . . . From daily camp life to museum politics, Brinkman has ably documented a time of major change in dinosaur science, one that provides the context for paleontology as we know it today.”

Smithsonian

“Excellent and extraordinarily detailed. . . . What does this book do for the field of historical paleontology in general? It really raises the bar, plumbing an enormous quantity of source material and expertly weaving a story of scientific discovery, egos, personalities, and museum politics with that of a changing socioeconomic and academic landscape. Brinkman’s book will serve as an important resource for people interested in the history of Jurassic dinosaur research, in the lives and careers of such fossil hunters and scientists as Wortman, Reed, Osborn, Hatcher, Riggs and so on, in the history of how fossils are represented to the public, and in how American museums were shaped by the personal and political motivations of those behind the scenes. . . . Wow, what a thorough job.”

Historical Biology

“Groundbreaking.”

Annals of Science

“Brinkman provides a flood of new data on American fossil collecting in a book that reads more like an Old West novel than a historical monograph. . . . Impressively researched. . . . A valuable contribution to the history of paleontology.”

British Journal for the History of Science

“This well-written volume reads like a thriller and will fascinate any reader. . . . These real field collectors make fictional characters like Indiana Jones look like an armchair theoretician.”

Geological Journal

“Brinkman paints an intricate portrait of paleontological fieldwork. No doubt, the author's own field experience helped to lend richness to his descriptions of day-to-day practice.”

Journal of the History of Biology

“[The Second Jurassic Dinosaur Rush] explores an exciting period in paleontological history and the many intrigues that accompanied this frenzy of paleontological research. . . . Highly recommended."

J. C. Kricher | Choice

“In the years around 1900, major U.S. museums raced to find the best and biggest dinosaurs and put them on display. It was a decisive decade for paleontology, when the public first got a spectacular view of the strangeness of the prehistoric world, and dinomania first took off. Based on thorough archival research, this is a fascinating story of ambitious administrators and scientists, their moneyed patrons, and the often invisible technicians and fieldworkers on whom the whole project depended.”

Martin Rudwick, author of Worlds Before Adam and Bursting the Limits of Time

“This superbly researched and illustrated book carries the subject of dinosaur paleontology from the end of the much discussed Marsh-Cope era to just short of the discovery of Dinosaur National Monument. It is a period of the establishment of museums in New York, Pittsburgh, and Chicago to exhibit the mounted skeletons. From the archives, including many letters from the field collectors like Hatcher to museum directors like Holland, one learns details of the collecting at major quarries like Bone Cabin Quarry and Sheep Creek, but also of the scientists’ often complicated relationships with one another and with their superiors. At the end, one feels personally acquainted with the personalities in this engaging book.”

John McIntosh, Wesleyan University