"[What Is African Art?] a deeply researched, important contribution to the study of art history, with relevance to disciplines beyond the study of African art."

Library Journal

"This is the first book-length attempt at a historiography of African art study. Tracing the development of the field from the colonial era through to the present, Probst argues that the ways in which ‘African art’ has been discussed tell us at least as much about the speakers as the subject."

Apollo

"This detailed study spans more than a century of African art, charting how museums, curators and scholars began documenting aspects of the genre in the late 19th century through to 'the quest for a decolonial future.' Chapters cover topics such as 'challenging representation: postcolonial critique and curation' and 'tradition and tribality in the Cold War era.'"

The Art Newspaper

"This is the first book-length attempt at a historiography of African art study. Tracing the development of the field from the colonial era through to the present, Probst argues that the ways in which 'African art' has been discussed tell us at least as much about the speakers as the subject."

Apollo

[What Is African Art?] is a creditable overview highlighting tensions between Western interpretations of what African art is and interpretations of African artists, scholars, and curators, who assert their own vision of narrative African art and how it should be exhibited. . . This is a much-needed introduction to the contemporary African art world. Recommended." 

Choice

“Wedged between anthropology and art history, the study of African art requires a balanced assessment of the defining moments in the making of this field. What Is African Art?—the first historiography of its kind—takes on this challenge superbly, offering a major critical achievement. This book is indispensable to a sound understanding of the field and is a joy to read.”

Ferdinand de Jong, author of Decolonizing Heritage: Time to Repair in Senegal

“What Is African Art? is a sophisticated, insightful critique of the trajectories that collectors, curators, and scholars of African art have followed since the end of the nineteenth century. As the first monographic historiography of Africanist art studies, it is sure to seed lively debate that interrogates the past and informs the future. An essential read for any and all students of African art.”

Raymond Silverman, professor emeritus of the history of art, African studies, and museum Studies, University of Michigan