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Distributed for Gingko

Essays of the Sadat Era

The Non-Fiction Writing of Naguib Mahfouz: Volume II

Translated by Aran Ayrne and Russell Harris

Distributed for Gingko

Essays of the Sadat Era

The Non-Fiction Writing of Naguib Mahfouz: Volume II

Translated by Aran Ayrne and Russell Harris
This volume of articles written by Naguib Mahfouz between 1971 and 1981 serves as a portrait of a volatile period in Egypt’s history, which began with the Corrective Revolution and the Yom Kippur War with Israel and ended with the assassination of President Anwar El-Sadat.

In these essays of the Sadat era, published in the state-owned Al-Ahram newspaper, Mahfouz seems an unreliable narrator. The tension between an author who rails against censorship, yet is bound within its confines, runs through this fascinating body of nonfiction writing. Nonetheless, Mahfouz’s own thoughts are unmistakably present. We gain his insight into diverse political topics, such as socioeconomic class, democracy and dictatorship, and Islam and extremism, topics which still seem highly pertinent to the situation in Egypt today.

A vital accompaniment to his literature, this collected work is contemporaneous with Mahfouz’s fictional works such as Karnak Café, The Harafish, and Arabian Nights and Days. Essays of the Sadat Era is the second of four volumes in which Mahfouz’s nonfiction work is translated into English for the first time.

148 pages | 6 1/4 x 9 1/2 | © 2015

Law and Legal Studies: General Legal Studies

Middle Eastern Studies


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Reviews

"[F]ollows Mahfouz's introspective literary aesthetic that considers itself uniquely Egyptian, and yet, can only work within the shared universal language of the novel--one of humanity's great inventions after fire, the wheel, and alphanumeric writing on papyrus scrolls. This book keeps reminding its reader of the absence of this novelistic vision as it offers a compilation of brief articles Mahfouz wrote for the Egyptian daily Al-Ahram. . . .Mahfouz's journalism triggers the need for a return to his fiction. Especially in these strange times, when the possibilities of addressing such unapologetically secularist concerns in writing are fast diminishing."

The Telegraph (India)

"One of the greatest creative talents in the realm of the novel in the world."
 

Nadine Gordimer

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