208 pages | 93 color illustrations | 9.06 x 10.63 | © 2026
Art: Art--General Studies, European Art
History: European History
Table of Contents
Foreword
Acknowledgements
Between Convention and Claim to Truth. Félicien Rops and His Time
JULIANE AU
‘Rops’s free spirit … is an expression of a comprehensively educated and timelessly thinking mind’
Véronique Carpiaux in conversation with Jonas Beyer
Eroticism, Death and the Appropriation of the Female Body in the Works of Félicien Rops
ELISABETH BRONFEN
Inter amicos: Félicien Rops and the Private Lives of Art
DAAN VAN HEESCH
Catalogue
‘Je procède presque toujours à la diable’. A Glossary of Félicien Rops’s Printmaking Process
ANASTASIA BELYAEVA
Appendix
Acknowledgements
Between Convention and Claim to Truth. Félicien Rops and His Time
JULIANE AU
‘Rops’s free spirit … is an expression of a comprehensively educated and timelessly thinking mind’
Véronique Carpiaux in conversation with Jonas Beyer
Eroticism, Death and the Appropriation of the Female Body in the Works of Félicien Rops
ELISABETH BRONFEN
Inter amicos: Félicien Rops and the Private Lives of Art
DAAN VAN HEESCH
Catalogue
‘Je procède presque toujours à la diable’. A Glossary of Félicien Rops’s Printmaking Process
ANASTASIA BELYAEVA
Appendix