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Distributed for CavanKerry Press

Phantom Hue

With a Foreword by Sayuri Ayers

Blending dream dialogue, personal reflection, and historical imaginings, poet Schyler Butler explores how intimacy and love take shape under the white gaze. 

This stunning debut asks what remains of intimacy when the quiet terror of white supremacy shapes every touch, silence, and room. Through a fiercely confessional voice, Phantom Hue traces the inner life of a light-skinned Black woman reckoning with the inheritances of race, gender, history, and family. From colorism to the uneasy desire of interracial love, each poem strips away performance to expose raw truth. Rooted in the personal yet bound to the political, Butler’s lyricism and intellect pulse through a collection that grieves and praises, confesses and conjures—a luminous reckoning with what it means to live, and love, inside a haunted body.


88 pages | N/A | 6 x 9 | © 2026

Emerging Voices

Black Studies

Poetry


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Reviews

Phantom Hue would like a word with what has occurred. In its varied vision, the past and present gather their present-perfect questions. And then they are posed---toward transmutation. Butler remembers as re-cognition, as reorientation. Phantom Hue’s deft poems consider the weight of learning and knowing our histories simultaneously. We can courageously begin with our "gold-spun blood," but we must also reckon "after the ashes settle on our campus rooftops." And Butler will ask bravely, beautifully: "what can I build from the sown?"
 

Renia White, author of Casual Conversation

"There must be a victim for every victor,” Butler writes. But who can we blame? And how do heritage and the body survive the awful weight of trauma and injustice? Phantom Hue is a powerful tribute to the body and its shimmering survival through the persistence of trauma, the suffering of women, and the insidious evils of racism. With dimension and searing insight, Butler moves between past and present, a ghostly and lyrical witness to sexual assault on a great-great-grandmother, microaggressions at a library reading, a mother’s haunting photograph, and a painful dream. These poems ask what “the origin / of disconnection” is, and how we can offer care and reverence to the past when it is studded with pain.
 

Arah Ko, author of Brine Orchid

Table of Contents

I
Star-Crossed
Amongst Children
Variants of the Same Story, II
Girl Remembers a Place Even Columbus Cannot Miss
Bonnaroo, 2012
Star-Crossed Caveat
Reminisce
Comfort
Yearn
Star-Crossed East to West
My Mother’s Story Interpreted from a Photograph
of Her and Her Parents Smiling, 1984
In Solidarity with Fate

II
Post-Colonial Triumph
Like Crystal
Serenaded By a Prince or Symbol
Fingerprints
Pulled Pork
American Archipelago
Black Beans
Response/Ability
Dream Dialogue Where My Mother’s Mother
Talks to Her Husband
Bravata
When a White Boy Says He Prefers
Fear Response to Reflection
Where It May
Like Pontius Pilate Washing His Hands
Memory of Star-Crossed Leaving Fingerprints
The Inventor of Peanut Butter
Star-Crossed Without the Sugar
A Haunting
A Poem for a Daughter, for a Son

III
A Platter
What Cannot Be Touched
As If Still
For Bodies to Whom I Owe My Life
Bust Yoke
Dream Dialogue Where I Narrate the Rape
of Great-Great Oma, 1896
Variants of the Same Story, I
Trying Hard to Find the Answer
Where Are You, Jessica Dash?
What the Star-Crossed Notice
Miscegenation
They Used to Chop Off the Penis
A Neighbor Tells What Happened to My Father’s
Aunt in Chillicothe, 1983
Blessing the Breakup
Genealogy of Wounds
The Guts That Come with Love
And Transmuted
When I Think About Malcolm X

IV
Initiation
First Run
When I Remember the Same Old
The Blacker
Dream Dialogue Where I Talk to My Father
Like I’m Honest
Intersectional Guillotine
When You Hear Love Talkin
Thought Experiment from the Vine
A Writer Reads at the Library Downtown
Cento Across the Mutual Landscape
Hood
I Have a Photo of My Mother as a Child
Clintonville After We Move In
Food That Was Cheap

V
Star-Crossed Daughter at 23 Months

ACKNOWLEDGEMENTS

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