Distributed for Reaktion Books
Roland Barthes
In this cogent, accessible biography, Andy Stafford offers a new picture of the man and his work, one that helps us to understand him even as it acknowledges the complexity presented by his restless interests and unorthodox career.
Stafford argues that Barthes is best classified as a journalist, essayist, and critic, and he emphasizes the social preoccupations in his work—how Barthes continually worked to analyze the self and society, as well as the self in society. In doing so, Stafford paints a fascinating picture not just of Barthes, but of the entire intellectual scene of postwar France. As Barthes continues to find new readers today, this book will make the perfect introduction, even as it offers new avenues of thought for specialists.
Stafford argues that Barthes is best classified as a journalist, essayist, and critic, and he emphasizes the social preoccupations in his work—how Barthes continually worked to analyze the self and society, as well as the self in society. In doing so, Stafford paints a fascinating picture not just of Barthes, but of the entire intellectual scene of postwar France. As Barthes continues to find new readers today, this book will make the perfect introduction, even as it offers new avenues of thought for specialists.
Reviews
Table of Contents
Notes on the Text
Introduction
1. War Orphan
2. Tubard
3. Marxism, Popular Theatre and the New Novel
4. From Semiology to Structuralism
5. May’ 68
6. From the École to the Collège
7. Fame, Death and the ‘Aristocratic’ Self
Conclusion: ‘Barthes is Not a Barthesian’
References
Select Bibliography
Acknowledgements
Photo Acknowledgements
Introduction
1. War Orphan
2. Tubard
3. Marxism, Popular Theatre and the New Novel
4. From Semiology to Structuralism
5. May’ 68
6. From the École to the Collège
7. Fame, Death and the ‘Aristocratic’ Self
Conclusion: ‘Barthes is Not a Barthesian’
References
Select Bibliography
Acknowledgements
Photo Acknowledgements
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