An exploration of the little-understood relationship between popular Asian physical practices and the sublime.

This book proposes that globalized Asian physical and cultural practices such as taiji, qigong, yoga, and meditation can be understood by examining the intimate connection between Western orientalism and the Romantic aesthetic notion of the sublime. The Sublime Object of Orientalism recasts “orientalist physical culture” as a set of practices animated by the sublime.

Paul Bowman combines new readings of philosophers and cultural critics such as Slavoj Žižek and Jane Iwamura with analyses of film, media, and Asian physical practices and their entrepreneurial forms to shed light on the quest to articulate a philosophy of orientalist physical culture. He also explores ways to make sense of orientalist physical culture in the contemporary world and evaluate the often problematic ideologies that circulate around these cultural practices without uncritically accepting their value or rejecting them outright. This empathetic and accessible volume is a must-read for students, researchers, and teachers of cross-cultural studies, cultural theory, postcolonialism, and orientalism.