Eclipse of Action
Tragedy and Political Economy
9780226433653
9780226433790
Eclipse of Action
Tragedy and Political Economy
According to traditional accounts, the history of tragedy is itself tragic: following a miraculous birth in fifth-century Athens and a brilliant resurgence in the early modern period, tragic drama then falls into a marked decline. While disputing the notion that tragedy has died, this wide-ranging study argues that it faces an unprecedented challenge in modern times from an unexpected quarter: political economy.
Since Aristotle, tragedy has been seen as uniquely exhibiting the importance of action for human happiness. Beginning with Adam Smith, however, political economy has claimed that the source of happiness is primarily production. Eclipse of Action examines the tense relations between action and production, doing and making, in playwrights from Aeschylus, Marlowe, Shakespeare, and Milton to Beckett, Arthur Miller, and Sarah Kane. Richard Halpern places these figures in conversation with works by Aristotle, Smith, Hegel, Marx, Hannah Arendt, Georges Bataille, and others in order to trace the long history of the ways in which economic thought and tragic drama interact.
Since Aristotle, tragedy has been seen as uniquely exhibiting the importance of action for human happiness. Beginning with Adam Smith, however, political economy has claimed that the source of happiness is primarily production. Eclipse of Action examines the tense relations between action and production, doing and making, in playwrights from Aeschylus, Marlowe, Shakespeare, and Milton to Beckett, Arthur Miller, and Sarah Kane. Richard Halpern places these figures in conversation with works by Aristotle, Smith, Hegel, Marx, Hannah Arendt, Georges Bataille, and others in order to trace the long history of the ways in which economic thought and tragic drama interact.
336 pages | 6 x 9 | © 2017
Literature and Literary Criticism: Dramatic Works, General Criticism and Critical Theory
Reviews
Table of Contents
Acknowledgments
IntroductionChapter One “Thy Bloody and Invisible Hand”: Tragedy and Political Economy
Chapter Two Greek Tragedy and the Raptor Economy: The Oresteia
Chapter Three Marlowe’s Theater of Night: Doctor Faustus and Capital
Chapter Four Hamlet and the Work of Death
Chapter Five The Same Old Grind: Milton’s Samson as Subtragic Hero
Chapter Six Hegel, Marx, and the Novelization of Tragedy
Chapter Seven Beckett’s Tragic Pantry
Postscript After Beckett
Notes
Index
Index
Awards
Milton Society of America: John T. Shawcross Award
Won
American Comparative Literature Association: Rene Wellek Prize
Won
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