Mood and Trope
The Rhetoric and Poetics of Affect
9780226673264
9780226673127
9780226673431
Mood and Trope
The Rhetoric and Poetics of Affect
In Mood and Trope, John Brenkman introduces two provocative propositions to affect theory: that human emotion is intimately connected to persuasion and figurative language; and that literature, especially poetry, lends precision to studying affect because it resides there not in speaking about feelings, but in the way of speaking itself.
Engaging a quartet of modern philosophers—Kant, Nietzsche, Heidegger, and Deleuze—Brenkman explores how they all approach the question of affect primarily through literature and art. He draws on the differences and dialogues among them, arguing that the vocation of criticism is incapable of systematicity and instead must be attuned to the singularity and plurality of literary and artistic creations. In addition, he confronts these four philosophers and their essential concepts with a wide array of authors and artists, including Pinter and Poe, Baudelaire, Jorie Graham and Li-Young Lee, Shakespeare, Tino Sehgal, and Francis Bacon. Filled with surprising insights, Mood and Trope provides a rich archive for rethinking the nature of affect and its aesthetic and rhetorical stakes.
Engaging a quartet of modern philosophers—Kant, Nietzsche, Heidegger, and Deleuze—Brenkman explores how they all approach the question of affect primarily through literature and art. He draws on the differences and dialogues among them, arguing that the vocation of criticism is incapable of systematicity and instead must be attuned to the singularity and plurality of literary and artistic creations. In addition, he confronts these four philosophers and their essential concepts with a wide array of authors and artists, including Pinter and Poe, Baudelaire, Jorie Graham and Li-Young Lee, Shakespeare, Tino Sehgal, and Francis Bacon. Filled with surprising insights, Mood and Trope provides a rich archive for rethinking the nature of affect and its aesthetic and rhetorical stakes.
304 pages | 4 figures | 6 x 9 | © 2020
Literature and Literary Criticism: British and Irish Literature, General Criticism and Critical Theory, Romance Languages
Philosophy: Aesthetics
Reviews
Table of Contents
Introduction
Part 1 The Poetics of Affect
1 Affect, Self-Affection, Attunement
2 Mood and Trope in the Lyric
3 Sensation and Being
Part 2 Feeling and the Vocation of Criticism
4 This is beautiful, or, The Urge to Persuade
5 Angst/Rausch/Riss
6 The Fate of Beauty
Acknowledgments
Notes
Index
Mood
Naming by Misnaming
From Heidegger to Aristotle
A Philosophical Quartet
Naming by Misnaming
From Heidegger to Aristotle
A Philosophical Quartet
Part 1 The Poetics of Affect
1 Affect, Self-Affection, Attunement
Touch
Betrayal, or, Involuted Rage
Poe’s Raven and Freud’s Jokes
The Ontic Jolt
Betrayal, or, Involuted Rage
Poe’s Raven and Freud’s Jokes
The Ontic Jolt
2 Mood and Trope in the Lyric
Passions of the Signifier
Baudelaire’s Spleen
Pathos and Form
Li-Young Lee’s Fury
I, Not I
Baudelaire’s Spleen
Pathos and Form
Li-Young Lee’s Fury
I, Not I
3 Sensation and Being
Deleuze’s Rat
The Artwork between Heidegger and Deleuze
Three Theses on Art
Shakespearean Aside
Language, Art, Truth
The Artwork between Heidegger and Deleuze
Three Theses on Art
Shakespearean Aside
Language, Art, Truth
Part 2 Feeling and the Vocation of Criticism
4 This is beautiful, or, The Urge to Persuade
Kant despite Nietzsche
Feeling for Others
Aesthetic “Regimes” and Artistic “Paradigms”
Tino Sehgal, or, Criticism’s Outer Edge
Rineke Djikstra, or, Criticism’s Inner Edge
Nietzschean Creativity
Feeling for Others
Aesthetic “Regimes” and Artistic “Paradigms”
Tino Sehgal, or, Criticism’s Outer Edge
Rineke Djikstra, or, Criticism’s Inner Edge
Nietzschean Creativity
5 Angst/Rausch/Riss
Nietzsche after Heidegger
Rift-Design
“Hymn to Intellectual Beauty”
Jorie Graham, or, The Thing Called Form
Anecdote of the Jug
Rift-Design
“Hymn to Intellectual Beauty”
Jorie Graham, or, The Thing Called Form
Anecdote of the Jug
6 The Fate of Beauty
Mont Blanc
Anthropos–Physis–Technē
Kant’s Affects
Form and Formlessness
Anthropos–Physis–Technē
Kant’s Affects
Form and Formlessness
Acknowledgments
Notes
Index
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