“Unsettling Opera is original, full of ideas, and entertaining as well. David Levin has an important and timely subject and he writes about it with passion, brio, and intelligence. He gracefully makes a persuasive case for the ways operas work and how creative opera productions can revivify texts often covered in layers of nineteenth-century upholstery.”

Peter Brooks, Yale University

“David Levin is one of the few scholars who functions effectively as both a literary critic in the University and a practical dramaturg in the opera house. His fascinating book demonstrates how critical readings of music and text can generate stagings that challenge and compel. Through Levin’s analyses, we understand the limitations inherent in traditional methods and the considerable advantages to be gained when a director stages his critical reading of a work. As theaters in America adopt increasingly this approach, which has previously been seen mostly on European stages, Levin’s book offers an indispensable guide.”

Philip Gossett, author of Divas and Scholars

“David Levin’s new book has as its object some of the best-known works in the operatic canon, and offers a bold new contribution to the anguished debate over the ‘radical’ staging they often receive today. His unsettling conclusions won’t please everybody; and quite right too. They will, though, make us all think harder about how and why, against all reasonable odds, opera continues to matter in the twenty-first century.”

Roger Parker, author of Remaking the Song

“Examining some seminal opera productions of the ‘post-naturalistic’ period, David Levin stimulates readers to be more adventurous and contextual in their own opera explorations. Among other things, Unsettling Opera is a great teaching manual about how to ask questions of opera scores and how to find one’s way to their sub-texts. I read the book with an ever-growing sense of excitement.”

Pamela Rosenberg, Berline Philharmonic

“Levin has provided a well documented look at operatic production an it exists in the early twenty-first century. His stance on many issues will incense traditional opera lovers but these are issues which must be faced in the light of what is happening on the stage today.”

Richard LeSueur | MLA Notes