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Knowledge and Knowing in Media and Film Studies

Are media and film studies truly new subjects? Steve Connolly uncovers their deep disciplinary roots and evaluates how knowledge is constructed and taught in the classroom.

The nature of knowledge in the curriculum is well-defined for traditional subjects like History and Science, but for newer disciplines like Media and Film Studies, the boundaries are far less clear. Knowledge and Knowing in Media and Film Studies is the first book to explore this question in depth, tracing the epistemological foundations of these subjects and their place in the English school curriculum.

Steve Connolly argues that while both Media and Film Studies have distinct intellectual traditions, their inclusion of craft skills alongside theoretical and factual knowledge has shaped a different set of criteria for what counts as valuable knowledge. Consisting of historical sources and interviews with teachers, this work goes against the assumption that these are novel subjects and shows their deep parallels with more established fields. Essential reading for educators and researchers, the book provides a necessary framework for understanding how knowledge in these disciplines is taught and legitimized in schools today.
 

194 pages | 4 figures, 3 tables | 6.14 x 9.21

Knowledge and the Curriculum

Education: Curriculum and Methodology

Film Studies


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Table of Contents

List of figures
List of tables
List of boxes

1 Media and Film Studies as disciplines, fields and school subjects
2 Formal knowledge in Media and Film Studies
3 Knowledge structures in Media Studies and Film Studies: recontextualisations, key concepts, threshold concepts and canons
4 Knowledge and the ‘problem’ of popular culture
5 Production work as knowledge creation
6 Media literacy: competency, skill and civic attribute
7 Conclusion: knowing less about more and more
References
Index

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