Film Studies
The Pusan International Film Festival, South Korean Cinema and Globalization
Framing Film
The Films of Aleksandr Rou
Technologies of History
Possessed
The Architecture of Vision
The Multisensory Film Experience
Continental Drift
The Filmmaker’s View
Directory of World Cinema: Turkey
Our Vampires, Ourselves
Cartomancy and Tarot in Film
Tech-Noir Film
Lure of the Big Screen
Hitchcock’s Magic
Lateness and Longing
Building Successful and Sustainable Film and Television Businesses
A Mieke Bal Reader
Fan Phenomena: The Hunger Games
World Film Locations: Glasgow
The Modern Myths
Immigration Cinema in the New Europe
Directory of World Cinema: South Korea
Made to Be Seen
Abandoned Images
Performance Projections
Indonesian Cinema after the New Order
The Middle Ages and the Movies
Erotikon
Directory of World Cinema: Italy
Mel Gibson’s Bible
Art from Start to Finish
Directory of World Cinema: Britain
The Cinematic Mode of Production
The Magic Lantern
Declarations of Independence
Directory of World Cinema: American Independent 2
Directory of World Cinema: American Independent 3
Directory of World Cinema: American Independent
Directory of World Cinema: Japan 2
Directory of World Cinema: Japan 3
Directory of World Cinema: Japan
World Film Locations: Beijing
World Film Locations: Shanghai
Receptive Bodies
Thoughts and Things
Directory of World Cinema: China 2
Directory of World Cinema: China
Superman: The Movie
Aleksandr Sokurov
Directory of World Cinema: Russia 2
Directory of World Cinema: Russia
Bombay Cinema’s Islamicate Histories
Filming the Middle Ages
Directory of World Cinema: East Europe
Directory of World Cinema: India
The Hollywood War Film
Andrei Tarkovsky
Plants in Science Fiction
Film, Drama and the Break Up of Britain
Fan Phenomena: Marilyn Monroe
World Film Locations: Boston
World Film Locations: Las Vegas
World Film Locations: Marseilles
World Film Locations: Paris
World Film Locations: Prague
Screen Education
The Danish Directors 3
Danish Directors
Fan Phenomena: Doctor Who
Drive
Minding Movies
Reinventing Hollywood
The Rhapsodes
World Film Locations: Malta
South African Cinema 1896-2010
Women, Film, and Law
Twin Peaks
The Human Shutter
Cinema at the City’s Edge
New Queer Television
The World in a Frame
Mad Men, Death and the American Dream
David Cronenberg
Stephen King on the Big Screen
Stephen King on the Small Screen
Atmospheres of Projection
Surface
Barbara Hammer
The Remembered Film
Fellini’s Films and Commercials
Fan Phenomena: Batman
Animals in Film
Pasta, Pizza and Propaganda
’Injuns!’
Western Han
Off-Screen Cinema
The Architecture of the Screen
The Bond of the Furthest Apart
Photocinema
A Trail of Fire for Political Cinema
(Re)viewing Creative, Critical and Commercial Practices in Contemporary Spanish Cinema
Polanski and Perception
The Cinematic Sublime
Robert Altman
Beautiful Democracy
Contesting Tears
Alejandro Cesarco: Song
A Thousand Screenplays
Remade in Hollywood
Yonfan’s Bugis Street
Yonfan’s Bugis Street
An Archaeology of Sympathy
Cinemas of the World
War and Film
Hong Kong New Wave Cinema (1978-2000)
Fruit Chan’s Made in Hong Kong
Horror to the Extreme
Robert Paul and the Origins of British Cinema
Screening Nature and Nation
Filming the City
The Maltese Touch of Evil
Making Icons
World Film Locations: Singapore
World Film Locations: Dublin
World Film Locations: Liverpool
World Film Locations: Reykjavík
Film Studies in China, Volume 2
Film Studies in China
Berlin School Glossary
Amazing Worlds of Science Fiction and Science Fact
Witchcraft and Adolescence in American Popular Culture
Hollywood Goes to Washington
Before Mickey
The Sensible Stage
Dark Places
World-Wide-Walks
Losing the Plot
World Film Locations: Vienna
The Academy and the Award
The Face on the Screen
Women’s Work in Post-war Italy
Spanish Cinema of the New Millennium
The Bedtrick
Saudade in Brazilian Cinema
Fan Phenomena: Star Trek
The Global Road Movie
Un-American Psycho
Bas Jan Ader
Natural Visions
New Zealand Film and Television
Bollywood’s India
Cinemas of the Other
Cinemas of the Other
Cinemas of the Other
Turkish Cinema
Women, Islam and Cinema
Awake in the Dark
Ebert’s Bests
The Great Movies III
The Great Movies IV
Herzog by Ebert
Scorsese by Ebert
Two Weeks in the Midday Sun
Andrei Tarkovsky: "Ivan’s Childhood"
On Disney
On the Detective Story
The Short-Fiction Scenario
Artificial Darkness
Fan Phenomena: Star Wars
Landscape and the Moving Image
Iranian Cinema and Globalization
Art, Culture, and Media Under the Third Reich
European Identity in Cinema
Precarious Sociality, Ethics and Politics
Nixon and the Silver Screen
Nixon at the Movies
Hollywood in Havana
Archives of the Insensible
Real Objects in Unreal Situations
Understanding Kubrick’s 2001: A Space Odyssey
Sergei Paradjanov
Unbecoming Cinema
Peter Weir
Christoph Schlingensief
Crime Uncovered: Detective
A Place for Us
New Zealand Cinema
Reframing Reality
Mad, Bad and Dangerous?
American Presidents and Oliver Stone
Versions of Hollywood Crime Cinema
Moving Pictures
Paris Blues
The Visceral Screen
Jammin’ at the Margins
Fire and Desire
Trans*Time
Sam Peckinpah
The Ned Kelly Films
Ozu
Directory of World Cinema: American Hollywood 2
Directory of World Cinema: American Hollywood
Compendium of Image Errors in Analogue Video
Joyce’s Ghosts
Modern Melbourne
Beauty and the Beast
Britpop Cinema
Directory of World Cinema: Australia and New Zealand 2
Directory of World Cinema: Australia and New Zealand
Conjugations
New Brutality Film
Open Roads, Closed Borders
Orphan Black
Watch this Space
Queer Cinema in Europe
Aleksandr Askoldov
Warhol’s Working Class
Peter Liechti - Dedications
Fan Phenomena: Mermaids
The Attractions of the Moving Image
The New Female Antihero
Rhetoric of Modern Death in American Living Dead Films
Outside the Gates of Eden
Flesh Into Light
Gay Shame
The Melodramatic Moment
Kurt Kren
Cinema and Landscape
Rosebud Sleds and Horses’ Heads
World Film Locations: Chicago
World Film Locations: New Orleans
World Film Locations: New York
World Film Locations: San Francisco
Latin American Cinema
Pride and Panic
From Reverence to Rape
From Melies to New Media
Downtown Film and TV Culture 1975-2001
Men, War and Film
Fan Phenomena: Twin Peaks
Fan Phenomena: The Rocky Horror Picture Show
Nollywood
French Costume Drama of the 1950s
Working the System
Werner Herzog
Music and Levels of Narration in Film
Shaking the World for Jesus
The Adventure of the Real
Identity and Pleasure
Phenomenology’s Material Presence
Perfect Wave
Studies in French Cinema
The Emergence of Video Processing Tools
Aristotle in Hollywood
Fan Phenomena: James Bond
The Danish Directors 2
Frames of Mind
Film, Music, Memory
The Moses Complex
British TV and Film Culture in the 1950s
Directory of World Cinema: Spain
World Film Locations: Barcelona
Silver Screen Silver Prints
Green Documentary
Radioactive Documentary
Johnnie To Kei-Fung’s PTU
Fan Phenomena: The Big Lebowski
World Film Locations: Berlin
Who’s Who in Research: Film Studies
Midday with Buñuel
Experimental Games
Network Aesthetics
Misreading Postmodern Antigone
Directory of World Cinema: Iran 2
Directory of World Cinema: Iran
Cosmopolitan Intimacies
Re-envisaging the First Age of Cinematic Horror, 1896-1934
Beijing Film Academy 2021
Beijing Film Academy Yearbook 2016
Beijing Film Academy Yearbook 2017
Beijing Film Academy Yearbook 2019
Beijing Film Academy Yearbook 2020
Beijing Film Academy Yearbook
The Traumatic Screen
Against Immediacy
2001 and Counting
Hitchcock
Movies That Mattered
When Movies Mattered
Futures of Chinese Cinema
The Howff Project
Breaking Bad, Breaking Out, Breaking Even
Nightmares in the Dream Sanctuary
Screening Modernism
Directory of World Cinema: Argentina 2
Directory of World Cinema: Argentina
Shooting Women
Diasporic Chineseness after the Rise of China
Feminist Ethics in Film
Chinese Cinema
The Cinema of Mika Kaurismäki
Directory of World Cinema: Finland
Transnational Ecocinema
World Film Locations: Helsinki
World Film Locations: Istanbul
Europe and Love in Cinema
It’s Alive!
World Film Locations: Hong Kong
Call Me by Your Name
Allegorical Images
Directory of World Cinema: Germany 2
Directory of World Cinema: Germany
World Film Locations: Washington D.C.
Film Music
The Swedish Porn Scene
Consuming Youth
Childhood and Cinema
Malaysian Cinema in the New Millennium
Directors
Crimes of Art and Terror
Touring the Screen
The Cinema of Wang Bing
Hope Is of a Different Color
Taking Measures
The Authorship of Place
Innovation in Ethnographic Film
The Imaginary Geography of Hollywood Cinema 1960-2000
Infrastructure in Dystopian and Post-apocalyptic Film, 1968–2021
Zombies
Chris Marker
Drive in Cinema
Melancholy Drift
Contemporary British and Italian Sound Docudrama
The Film Paintings of David Lynch
World Film Locations: Tokyo
Preserving the Spell
The Resurrection of the Body
Conversations with Mohsen Makhmalbaf
3D Cinema and Beyond
Andrew Lau and Alan Mak’s Infernal Affairs—The Trilogy
Second Sight
The Comic Mind
Stanley Kubrick at Look Magazine
Beyond Auteurism
The Big Tomorrow
Screening Out the Past
Outback
Gay Men at the Movies
Recording Memories from Political Violence
Ulrike Ottinger
The Alexander Medvedkin Reader
Film and the City
Frontiers of Screen History
Against the Avant-Garde
Film Language
The President of the United States on Screen
Hidden Hitchcock
Fan Phenomena: Audrey Hepburn
Westerns
Directory of World Cinema: Britain 2
World Film Locations: London
World Film Locations: Melbourne
World Film Locations: Sydney
Critical Terms for Media Studies
Mental Traveler
Documenting the World
Watching Films
The Ashtray
Novel and Film
Afterimages
Death 24x a Second
Public Enemies, Public Heroes
Under a Bad Sign
Materializing New Media
Diasporas of Australian Cinema
The Blaxploitation Horror Film
Spectacles of Blood
The Intellect Handbook of Documentary
Don’t Look Now
The Anarchist Cinema
Show People
Reading Chinese Transnationalisms
The Private Eye
Rebel Video
Fedor Bondarchuk: Stalingrad
Directory of World Cinema: Scotland
New Irish Storytellers
Cultural Industries in Shanghai
Sergei Eisenstein
A Grammar of Murder
The New Queer Gothic
Doctor Who and Race
Aleksei Balabanov: Brother
Directory of World Cinema: France
The Art and Science of Screenwriting
Black and White Bioscope
The Traffic in Women’s Work
Sine Ni Lav Diaz
Truth or Dare
The Soul of Tragedy
Transglobal Fashion Narratives
Urban Cinematics
Radical Mainstream
Crime Uncovered: Anti-hero
Educating Film-Makers
Queer for Fear
Fan Phenomena: The Lord of the Rings
Jim Jarmusch
World Film Locations: Buenos Aires
World Film Locations: Venice
Directory of World Cinema: Brazil
World Film Locations: São Paulo
Filmed Thought
The Philosophical Hitchcock
Shoot!
Blumhouse Productions
Coming Together
Vsevolod Pudovkin
Directory of World Cinema: Latin America
On the Sleeve of the Visual
Of Haunted Spaces
Celluloid Colony
The Apu Trilogy
Australian Gothic
Deleuze and Film Music
Modern Argentine Masculinities
What Philosophy Wants from Images
Constructions of the Real
Crime Uncovered
On Stage
Goodbye Cinema, Hello Cinephilia
Representing Talent
Picturing Culture
Projecting the Shadow
In Excess
Historical Comedy on Screen
Daguerreotypes
The Musical Comedy Films of Grigorii Aleksandrov
World Film Locations: Mumbai
The Neoliberal Self in Bollywood
Matt Saunders
Rock ’n’ Roll Plays Itself
The Cinema Makers
Cinéma Mon Amour
Pasolini Requiem
It’s So French!
Cindy Sherman’s Office Killer
Reel Time
Bondhu
The Absence Trilogy
Always Being Born
Montage
Bowery to Broadway
Hollywood Cinema and the Real Los Angeles
Still
International Horror Film Directors
Inclusion in New Danish Cinema
New Television
World Film Locations: Athens
Transnational Film Culture in New Zealand
China into Film
Framing the Nation
Shakespeare the Actor and the Purposes of Playing
Sophia Loren
A Divided World
Preston Sturges
The Roots of Modern Hollywood
World Film Locations: Los Angeles
World Film Locations: Los Angeles
World Film Locations: Rome
Utopia and Reality
House Full
Dirty Real
Anarchitectural Experiments
Directory of World Cinema: Africa
Bette Davis Black and White
The Smoking Book
Between Film and Screen
Cinemachines
Closed Circuits
Framed Time
Transmedium
Concerning Consequences
World Film Locations: Havana
Peter Ho-Sun Chan’s He’s a Woman, She’s a Man
The Cinematic Griot
Metacinema in Contemporary Chinese Film
Fan Phenomena: Buffy the Vampire Slayer
A Portrait of the Artist as a Political Dissident
The Cultural Practice of Immigrant Filmmaking
Second Lives
Directory of World Cinema: Belgium
Tsui Hark’s Peking Opera Blues
Tsui Hark’s Peking Opera Blues
Swedish Cops
Time within Time
Activist Film Festivals
Passion of the Reel
Director in Action
King Hu’s A Touch of Zen
Steve McQueen
Japanese Cinema Goes Global
Beijing Film Academy Yearbook 2018
Familiar and Foreign
Field Guide to the Wild Flowers of the Eastern Mediterranean
Landscape and the Science Fiction Imaginary
World Film Locations: Madrid
The Poetics of Poetry Film
The Art of Mechanical Reproduction
Architecture Filmmaking
Stardust Monuments
Early Cinema in Russia and Its Cultural Reception
Greek Cinema
No Man an Island
Fan Phenomena: Sherlock Holmes
World Film Locations: Toronto
Latent Images
Between the Black Box and the White Cube
Architecture, Film, and the In-between
Yuen Woo Ping’s Wing Chun
Zombies in the Academy
World Film Locations: Vancouver
Alternative Worlds in Hollywood Cinema
Politics of Contemporary European Cinema
Governing Visions of the Real
Han Heroes and Yamato Warriors
Fighting without Fighting
The Films of Elías Querejeta
Akira Kurosawa
Australian Film Theory and Criticism
Australian Film Theory and Criticism
Australian Film Theory and Criticism
Australian Post-War Documentary Film
John Woo’s Bullet in the Head
Cop Knowledge
Film on The Faultline
World Film Locations: Cleveland
World Film Locations: Florence
An Amorous History of the Silver Screen
Art, Politics, and Commerce in Chinese Cinema
Art, Politics, and Commerce in Chinese Cinema
Fan Phenomena: Supernatural
The Delight of Turkish Dizi
Framing Film
The Films of Aleksandr Rou
Technologies of History
Possessed
The Architecture of Vision
The Multisensory Film Experience
Continental Drift
The Filmmaker’s View
Directory of World Cinema: Turkey
Our Vampires, Ourselves
Cartomancy and Tarot in Film
Tech-Noir Film
Lure of the Big Screen
Hitchcock’s Magic
Lateness and Longing
Building Successful and Sustainable Film and Television Businesses
A Mieke Bal Reader
Fan Phenomena: The Hunger Games
World Film Locations: Glasgow
The Modern Myths
Immigration Cinema in the New Europe
Directory of World Cinema: South Korea
Made to Be Seen
Abandoned Images
Performance Projections
Indonesian Cinema after the New Order
The Middle Ages and the Movies
Erotikon
Directory of World Cinema: Italy
Mel Gibson’s Bible
Art from Start to Finish
Directory of World Cinema: Britain
The Cinematic Mode of Production
The Magic Lantern
Declarations of Independence
Directory of World Cinema: American Independent 2
Directory of World Cinema: American Independent 3
Directory of World Cinema: American Independent
Directory of World Cinema: Japan 2
Directory of World Cinema: Japan 3
Directory of World Cinema: Japan
World Film Locations: Beijing
World Film Locations: Shanghai
Receptive Bodies
Thoughts and Things
Directory of World Cinema: China 2
Directory of World Cinema: China
Superman: The Movie
Aleksandr Sokurov
Directory of World Cinema: Russia 2
Directory of World Cinema: Russia
Bombay Cinema’s Islamicate Histories
Filming the Middle Ages
Directory of World Cinema: East Europe
Directory of World Cinema: India
The Hollywood War Film
Andrei Tarkovsky
Plants in Science Fiction
Film, Drama and the Break Up of Britain
Fan Phenomena: Marilyn Monroe
World Film Locations: Boston
World Film Locations: Las Vegas
World Film Locations: Marseilles
World Film Locations: Paris
World Film Locations: Prague
Screen Education
The Danish Directors 3
Danish Directors
Fan Phenomena: Doctor Who
Drive
Minding Movies
Reinventing Hollywood
The Rhapsodes
World Film Locations: Malta
South African Cinema 1896-2010
Women, Film, and Law
Twin Peaks
The Human Shutter
Cinema at the City’s Edge
New Queer Television
The World in a Frame
Mad Men, Death and the American Dream
David Cronenberg
Stephen King on the Big Screen
Stephen King on the Small Screen
Atmospheres of Projection
Surface
Barbara Hammer
The Remembered Film
Fellini’s Films and Commercials
Fan Phenomena: Batman
Animals in Film
Pasta, Pizza and Propaganda
’Injuns!’
Western Han
Off-Screen Cinema
The Architecture of the Screen
The Bond of the Furthest Apart
Photocinema
A Trail of Fire for Political Cinema
(Re)viewing Creative, Critical and Commercial Practices in Contemporary Spanish Cinema
Polanski and Perception
The Cinematic Sublime
Robert Altman
Beautiful Democracy
Contesting Tears
Alejandro Cesarco: Song
A Thousand Screenplays
Remade in Hollywood
Yonfan’s Bugis Street
Yonfan’s Bugis Street
An Archaeology of Sympathy
Cinemas of the World
War and Film
Hong Kong New Wave Cinema (1978-2000)
Fruit Chan’s Made in Hong Kong
Horror to the Extreme
Robert Paul and the Origins of British Cinema
Screening Nature and Nation
Filming the City
The Maltese Touch of Evil
Making Icons
World Film Locations: Singapore
World Film Locations: Dublin
World Film Locations: Liverpool
World Film Locations: Reykjavík
Film Studies in China, Volume 2
Film Studies in China
Berlin School Glossary
Amazing Worlds of Science Fiction and Science Fact
Witchcraft and Adolescence in American Popular Culture
Hollywood Goes to Washington
Before Mickey
The Sensible Stage
Dark Places
World-Wide-Walks
Losing the Plot
World Film Locations: Vienna
The Academy and the Award
The Face on the Screen
Women’s Work in Post-war Italy
Spanish Cinema of the New Millennium
The Bedtrick
Saudade in Brazilian Cinema
Fan Phenomena: Star Trek
The Global Road Movie
Un-American Psycho
Bas Jan Ader
Natural Visions
New Zealand Film and Television
Bollywood’s India
Cinemas of the Other
Cinemas of the Other
Cinemas of the Other
Turkish Cinema
Women, Islam and Cinema
Awake in the Dark
Ebert’s Bests
The Great Movies III
The Great Movies IV
Herzog by Ebert
Scorsese by Ebert
Two Weeks in the Midday Sun
Andrei Tarkovsky: "Ivan’s Childhood"
On Disney
On the Detective Story
The Short-Fiction Scenario
Artificial Darkness
Fan Phenomena: Star Wars
Landscape and the Moving Image
Iranian Cinema and Globalization
Art, Culture, and Media Under the Third Reich
European Identity in Cinema
Precarious Sociality, Ethics and Politics
Nixon and the Silver Screen
Nixon at the Movies
Hollywood in Havana
Archives of the Insensible
Real Objects in Unreal Situations
Understanding Kubrick’s 2001: A Space Odyssey
Sergei Paradjanov
Unbecoming Cinema
Peter Weir
Christoph Schlingensief
Crime Uncovered: Detective
A Place for Us
New Zealand Cinema
Reframing Reality
Mad, Bad and Dangerous?
American Presidents and Oliver Stone
Versions of Hollywood Crime Cinema
Moving Pictures
Paris Blues
The Visceral Screen
Jammin’ at the Margins
Fire and Desire
Trans*Time
Sam Peckinpah
The Ned Kelly Films
Ozu
Directory of World Cinema: American Hollywood 2
Directory of World Cinema: American Hollywood
Compendium of Image Errors in Analogue Video
Joyce’s Ghosts
Modern Melbourne
Beauty and the Beast
Britpop Cinema
Directory of World Cinema: Australia and New Zealand 2
Directory of World Cinema: Australia and New Zealand
Conjugations
New Brutality Film
Open Roads, Closed Borders
Orphan Black
Watch this Space
Queer Cinema in Europe
Aleksandr Askoldov
Warhol’s Working Class
Peter Liechti - Dedications
Fan Phenomena: Mermaids
The Attractions of the Moving Image
The New Female Antihero
Rhetoric of Modern Death in American Living Dead Films
Outside the Gates of Eden
Flesh Into Light
Gay Shame
The Melodramatic Moment
Kurt Kren
Cinema and Landscape
Rosebud Sleds and Horses’ Heads
World Film Locations: Chicago
World Film Locations: New Orleans
World Film Locations: New York
World Film Locations: San Francisco
Latin American Cinema
Pride and Panic
From Reverence to Rape
From Melies to New Media
Downtown Film and TV Culture 1975-2001
Men, War and Film
Fan Phenomena: Twin Peaks
Fan Phenomena: The Rocky Horror Picture Show
Nollywood
French Costume Drama of the 1950s
Working the System
Werner Herzog
Music and Levels of Narration in Film
Shaking the World for Jesus
The Adventure of the Real
Identity and Pleasure
Phenomenology’s Material Presence
Perfect Wave
Studies in French Cinema
The Emergence of Video Processing Tools
Aristotle in Hollywood
Fan Phenomena: James Bond
The Danish Directors 2
Frames of Mind
Film, Music, Memory
The Moses Complex
British TV and Film Culture in the 1950s
Directory of World Cinema: Spain
World Film Locations: Barcelona
Silver Screen Silver Prints
Green Documentary
Radioactive Documentary
Johnnie To Kei-Fung’s PTU
Fan Phenomena: The Big Lebowski
World Film Locations: Berlin
Who’s Who in Research: Film Studies
Midday with Buñuel
Experimental Games
Network Aesthetics
Misreading Postmodern Antigone
Directory of World Cinema: Iran 2
Directory of World Cinema: Iran
Cosmopolitan Intimacies
Re-envisaging the First Age of Cinematic Horror, 1896-1934
Beijing Film Academy 2021
Beijing Film Academy Yearbook 2016
Beijing Film Academy Yearbook 2017
Beijing Film Academy Yearbook 2019
Beijing Film Academy Yearbook 2020
Beijing Film Academy Yearbook
The Traumatic Screen
Against Immediacy
2001 and Counting
Hitchcock
Movies That Mattered
When Movies Mattered
Futures of Chinese Cinema
The Howff Project
Breaking Bad, Breaking Out, Breaking Even
Nightmares in the Dream Sanctuary
Screening Modernism
Directory of World Cinema: Argentina 2
Directory of World Cinema: Argentina
Shooting Women
Diasporic Chineseness after the Rise of China
Feminist Ethics in Film
Chinese Cinema
The Cinema of Mika Kaurismäki
Directory of World Cinema: Finland
Transnational Ecocinema
World Film Locations: Helsinki
World Film Locations: Istanbul
Europe and Love in Cinema
It’s Alive!
World Film Locations: Hong Kong
Call Me by Your Name
Allegorical Images
Directory of World Cinema: Germany 2
Directory of World Cinema: Germany
World Film Locations: Washington D.C.
Film Music
The Swedish Porn Scene
Consuming Youth
Childhood and Cinema
Malaysian Cinema in the New Millennium
Directors
Crimes of Art and Terror
Touring the Screen
The Cinema of Wang Bing
Hope Is of a Different Color
Taking Measures
The Authorship of Place
Innovation in Ethnographic Film
The Imaginary Geography of Hollywood Cinema 1960-2000
Infrastructure in Dystopian and Post-apocalyptic Film, 1968–2021
Zombies
Chris Marker
Drive in Cinema
Melancholy Drift
Contemporary British and Italian Sound Docudrama
The Film Paintings of David Lynch
World Film Locations: Tokyo
Preserving the Spell
The Resurrection of the Body
Conversations with Mohsen Makhmalbaf
3D Cinema and Beyond
Andrew Lau and Alan Mak’s Infernal Affairs—The Trilogy
Second Sight
The Comic Mind
Stanley Kubrick at Look Magazine
Beyond Auteurism
The Big Tomorrow
Screening Out the Past
Outback
Gay Men at the Movies
Recording Memories from Political Violence
Ulrike Ottinger
The Alexander Medvedkin Reader
Film and the City
Frontiers of Screen History
Against the Avant-Garde
Film Language
The President of the United States on Screen
Hidden Hitchcock
Fan Phenomena: Audrey Hepburn
Westerns
Directory of World Cinema: Britain 2
World Film Locations: London
World Film Locations: Melbourne
World Film Locations: Sydney
Critical Terms for Media Studies
Mental Traveler
Documenting the World
Watching Films
The Ashtray
Novel and Film
Afterimages
Death 24x a Second
Public Enemies, Public Heroes
Under a Bad Sign
Materializing New Media
Diasporas of Australian Cinema
The Blaxploitation Horror Film
Spectacles of Blood
The Intellect Handbook of Documentary
Don’t Look Now
The Anarchist Cinema
Show People
Reading Chinese Transnationalisms
The Private Eye
Rebel Video
Fedor Bondarchuk: Stalingrad
Directory of World Cinema: Scotland
New Irish Storytellers
Cultural Industries in Shanghai
Sergei Eisenstein
A Grammar of Murder
The New Queer Gothic
Doctor Who and Race
Aleksei Balabanov: Brother
Directory of World Cinema: France
The Art and Science of Screenwriting
Black and White Bioscope
The Traffic in Women’s Work
Sine Ni Lav Diaz
Truth or Dare
The Soul of Tragedy
Transglobal Fashion Narratives
Urban Cinematics
Radical Mainstream
Crime Uncovered: Anti-hero
Educating Film-Makers
Queer for Fear
Fan Phenomena: The Lord of the Rings
Jim Jarmusch
World Film Locations: Buenos Aires
World Film Locations: Venice
Directory of World Cinema: Brazil
World Film Locations: São Paulo
Filmed Thought
The Philosophical Hitchcock
Shoot!
Blumhouse Productions
Coming Together
Vsevolod Pudovkin
Directory of World Cinema: Latin America
On the Sleeve of the Visual
Of Haunted Spaces
Celluloid Colony
The Apu Trilogy
Australian Gothic
Deleuze and Film Music
Modern Argentine Masculinities
What Philosophy Wants from Images
Constructions of the Real
Crime Uncovered
On Stage
Goodbye Cinema, Hello Cinephilia
Representing Talent
Picturing Culture
Projecting the Shadow
In Excess
Historical Comedy on Screen
Daguerreotypes
The Musical Comedy Films of Grigorii Aleksandrov
World Film Locations: Mumbai
The Neoliberal Self in Bollywood
Matt Saunders
Rock ’n’ Roll Plays Itself
The Cinema Makers
Cinéma Mon Amour
Pasolini Requiem
It’s So French!
Cindy Sherman’s Office Killer
Reel Time
Bondhu
The Absence Trilogy
Always Being Born
Montage
Bowery to Broadway
Hollywood Cinema and the Real Los Angeles
Still
International Horror Film Directors
Inclusion in New Danish Cinema
New Television
World Film Locations: Athens
Transnational Film Culture in New Zealand
China into Film
Framing the Nation
Shakespeare the Actor and the Purposes of Playing
Sophia Loren
A Divided World
Preston Sturges
The Roots of Modern Hollywood
World Film Locations: Los Angeles
World Film Locations: Los Angeles
World Film Locations: Rome
Utopia and Reality
House Full
Dirty Real
Anarchitectural Experiments
Directory of World Cinema: Africa
Bette Davis Black and White
The Smoking Book
Between Film and Screen
Cinemachines
Closed Circuits
Framed Time
Transmedium
Concerning Consequences
World Film Locations: Havana
Peter Ho-Sun Chan’s He’s a Woman, She’s a Man
The Cinematic Griot
Metacinema in Contemporary Chinese Film
Fan Phenomena: Buffy the Vampire Slayer
A Portrait of the Artist as a Political Dissident
The Cultural Practice of Immigrant Filmmaking
Second Lives
Directory of World Cinema: Belgium
Tsui Hark’s Peking Opera Blues
Tsui Hark’s Peking Opera Blues
Swedish Cops
Time within Time
Activist Film Festivals
Passion of the Reel
Director in Action
King Hu’s A Touch of Zen
Steve McQueen
Japanese Cinema Goes Global
Beijing Film Academy Yearbook 2018
Familiar and Foreign
Field Guide to the Wild Flowers of the Eastern Mediterranean
Landscape and the Science Fiction Imaginary
World Film Locations: Madrid
The Poetics of Poetry Film
The Art of Mechanical Reproduction
Architecture Filmmaking
Stardust Monuments
Early Cinema in Russia and Its Cultural Reception
Greek Cinema
No Man an Island
Fan Phenomena: Sherlock Holmes
World Film Locations: Toronto
Latent Images
Between the Black Box and the White Cube
Architecture, Film, and the In-between
Yuen Woo Ping’s Wing Chun
Zombies in the Academy
World Film Locations: Vancouver
Alternative Worlds in Hollywood Cinema
Politics of Contemporary European Cinema
Governing Visions of the Real
Han Heroes and Yamato Warriors
Fighting without Fighting
The Films of Elías Querejeta
Akira Kurosawa
Australian Film Theory and Criticism
Australian Film Theory and Criticism
Australian Film Theory and Criticism
Australian Post-War Documentary Film
John Woo’s Bullet in the Head
Cop Knowledge
Film on The Faultline
World Film Locations: Cleveland
World Film Locations: Florence
An Amorous History of the Silver Screen
Art, Politics, and Commerce in Chinese Cinema
Art, Politics, and Commerce in Chinese Cinema
Fan Phenomena: Supernatural
The Delight of Turkish Dizi
Titles In Subject
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