The first English-language volume on Vietnamese contemporary art.

Contemporary art in Vietnam is a dynamic field shaped by memory, history, and experimentation. Over the last thirty years, Vietnamese artists have come to command international recognition, even as a growing domestic market for contemporary art fosters alternative infrastructures of collection and exhibition. Signs and Signals from Vietnam brings together artists, curators, and academics to examine artistic practice and contemporary art histories in Vietnam today.

Moving beyond familiar North-South or diasporic-national divides, the essays represent the perspectives of Vietnamese, Vietnamese diasporic, and non-Vietnamese writers of different generations, affiliations, and positionalities. Contributors trace the inventive ways artists work with language, narrative, performance, and archival practice to communicate through their art. Key themes running through the volume represent the predominant concerns of Vietnamese artists over the past three decades, including the enduring impact of socialist paradigms in contemporary art, gender, diaspora, memory, and the environment. Together, these essays demonstrate how contemporary art can convey lesser-known histories, contested narratives, and personal perspectives.