Art Criticism
Afterall
Afterall
Afterall
Afterall
Afterall
Going Public
Without Model
Taste
Fear and Art in the Contemporary World
Interstices
Kunstgeschichten
Metropolitan Museum Journal, 2020
Metropolitan Museum Journal, Volume 54, 2019
NO Rhetoric(s)
The Art of Describing
Art in Mind
Briefwechsel
Radical Coherency
A Cubism Reader
Today Is Always Yesterday
The Artemisia Files
Loving Yusuf
A Mieke Bal Reader
Of What One Cannot Speak
The Mother Goddess in Italian Renaissance Art
Bright Earth
Ritual and Capital
Time and the Digital
Locked In and Out
Chromophobia
Afterall
Art from Start to Finish
Illustrating the Good Life: The Pissarros’ Eragny Press, 1894–1914
Women Artists in Midcentury America
Kunsttechnologische Forschungen zur Malerei von Cuno Amiet 1883–1914
ambivalent work*s
Worlds of Appearance
Ferdinand Hodler. Landschaften
Pictures and the Past
Afterall
Afterall
Afterall
Afterall
Afterall
‘Race Is Everything’
Leon Golub Powerplay
The Politics of Urban Beauty
Art in an Age of Civil Struggle, 1848-1871
Ecce Homo
Other Things
Journey
Circulation
Surface
Fray
Looking at the Overlooked
Display, Distribute, Disrupt
Parallel Texts
The Connoisseur
The Camera Does the Rest
The Art Public
Learning from Madness
Off-Screen Cinema
Imaginable Worlds
More Voice-Over
Afterall
The Never Taken Images
Symbolism, Dada, Surrealisms
Fluxus Administration
Questions of Evidence
Objects in Air
Contemporary Asian Art at Biennials
Water and Art
A Hero in His Time
Visual Imaginations and Modern Jewish History
Touched by the Mother
Signs and Signals from Vietnam
Sonic Flux
An Audience of Artists
Before Pictures
Friedrich Kuhn (1926-1972)
Versed in Living Nature
Aesthetics at Large
Clement Greenberg Between the Lines
Duchamp’s Telegram
Sewn in the Sweatshops of Marx
Arthur Dove
Liquidity, Flows, Circulation
Thinking Out of Sight
The Truth in Painting
Not-Forgetting
Counter-Texts
Atlas, or the Anxious Gay Science
Movements of Air
Shiny Things
Too Big To Scale
The Wind Tunnel Model
SpecLab
Sweet Dreams
Jack Goldstein
Please RSVP
Points of Convergence
Qu’est-ce que l’art contemporain ?
In the Aftermath of Trauma
On Withdrawal—Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices
Tekstura
A Mythology of Forms
The Abu Ghraib Effect
The Cry of Nature
Artificial Darkness
What Happened to Art Criticism?
The Art of Diremption
Afterall
Afterall
Inspiring Writing in Art and Design
Reframing Reality
The Power of Images
Hannes Schüpbach. Cinema Elements
Absorption and Theatricality
Art and Objecthood
French Suite
A Roger Fry Reader
Constructivism
EL CONSTRUCTIVISMO
Revolving Documents—Narrations of the Beginnings
Inadvertent Images
Begegnung mit der Vergangenheit
Briefwechsel mit seinen Eltern, Freunden und Sammlern
Nationalism and Cosmopolitanism in Avant-Garde and Modernism
Vera Röhm
Antony Gormley on Sculpture
After the Crisis
Après la Crise
Henry Wessel
Flying Out of this World
The Collected Essays and Criticism, Volume 1
The Collected Essays and Criticism, Volume 2
The Collected Essays and Criticism, Volume 3
The Collected Essays and Criticism, Volume 4
Hans Holbein
The Pensive Image
The Rhetoric of Perspective
The Attractions of the Moving Image
Each One Another
The Ascetic Imperative in Culture and Criticism
Fluxus Forms
The Great Debate about Art
Une collecte d’images
Confronting Identities in German Art
Brushstroke and Emergence
Sculpture
Suspended Waters
Making Theory/Constructing Art
Artistic License
25 Women
Perfect Wave
Peter Halley
A Violent Embrace
To Break and to Branch
Shadows and Light: Symbolist Art in Belgium
Collaborating in Conflict
Resisting Abstraction
Displacement
Genius Loci
The Objective Eye
Aesthetics and the Theory of Criticism
Photography, Trace, and Trauma
Writing Art History
Fish in Art
Experimental Games
Network Aesthetics
Zofia Kulik
Images of Malice
The Global Work of Art
The Reconciliation of Modernism
Invented Skins
On Art
A Wise One, a Warrior
Chromatic Algorithms
Toward a Geography of Art
Critique
Contemporary Korean Art
Collections of Nothing
So Near, So Far
Caspar David Friedrich and the Subject of Landscape
Willem de Kooning Nonstop
Lion Monument 21
A Future for the Past
Sensitive, Problematic, Contested?
Isa Genzken
What Are Objects?
The Liberation of Painting
Into the Light of Things
Pay for Your Pleasures
Dreamland of Humanists
eco-operations
Feminism in Revolt
Haydn’s Sunrise, Beethoven’s Shadow
An Affect of an Experience
The Idea of the Avant Garde
Hans Josephsohn
Hans Josephsohn
Adam Pendleton
Design Discourse
Before Disenchantment
Serendipity
The Art of the Chinese Picture-Scroll
"Raw," "Weirdo," and Beyond
Double Nation
Framed Spaces
Rencontre
Systems We Have Loved
The Trial(s) of Psychoanalysis
Against the Avant-Garde
Epistemologies of Aesthetics
Manifesto of Artistic Research
Metropolitan Museum Journal, Volume 53, 2018
Metropolitan Museum Journal, 2021
Metropolitan Museum Journal, 2022
Metropolitan Museum Journal, 2023
Metropolitan Museum Journal, 2024
Metropolitan Museum Journal, 2025
The Art of Return
Music, the Arts, and Ideas
Ladies of the Throne
Interventions
Andrey Rublev
Iconology
The Language of Images
Occupy
Picture Theory
What Do Pictures Want?
Wilfrid Moser: Milestones
Filippino Lippi
Critical Terms for Art History, Second Edition
Monuments and Memory, Made and Unmade
Lorenzo Ghiberti
Paolo Veronese and the Nobility of Painting
Classicisms
Audubon as Artist
Atomic Postcards
Meaning in the Visual Arts
On the Animation of the Inorganic
Subject–Object Art Theory
Unpackaging Art of the 1980s
The Futurist Moment
Islands and Contemporary Art
Philosophy by Other Means
Kunst und Dorf
The Net Effect
Paris Primitive
Bernard Palissy and the Arts of the Earth
Degrees of Separation
Something Flashed, Something Broke, Something Remained
In Touch: Encounters between Art and Research
The Decision Between Us
The Logic of the Lure
De-blading the Knife
Francisco de Zurbarán and the Fabric of the World
Scale
Gathering
What Philosophy Wants from Images
Doris Salcedo
Fredrik Vaerslev
The Way of the Shovel
Zoya Cherkassky
Interpreting Art
Art on the Edge
The De-Definition of Art
The Judicious Eye
Partitioning Bazaar Art
Josef Albers, Late Modernism, and Pedagogic Form
Transfigurements
Turning Away
Daguerreotypes
Making Memory Matter
On Modern Art
The Prints of Emil Nolde: (1897–1956)
Imaginary Animals
Romanesque Architectural Sculpture
Art Without Borders
Schechner Plays
Inventory and Hinge
In-action
The Escape
Myself and My Aims
The Place of the Symbolic
Archaeologies of Vision
Photography, History, Difference
Between Sense and de Kooning
The Invention of Art
Criticism Without Authority
Old Age in Art
Georg Simmel
International Departures
Hélio Oiticica
What Is Contemporary Art?
Sleeping Beauty
Foreshadowed
Painting, History and Meaning
Ribbon of Darkness
Art in the Age of Populism
Largesse
Michelangelo’s Painting
Michelangelo’s Sculpture
Modern Art
Other Criteria
Picasso
Renaissance and Baroque Art
Pictures of Romance
The Real Real Thing
The Scandal of Pleasure
Venus in Exile
Ecological Aesthetics
Ruth Duckworth: Life as a Unity
Bookwork
Transmedium
The Open Studio
Concerning Consequences
Darker Shades
The Concept of Tradition
Discovering Each Other
Letters
The Local and the Global
A Matter of Perspective
Theory Text Context
William Kentridge
Learning to Look
The Picture in Question
Pictorial Composition from Medieval to Modern Art
Scenes of the Avant-Garde
The Lost Generation | La generación perdida
Mariano
Gutai
The Art of Mechanical Reproduction
The Private Lives of Pictures
Written on Bamboo and Silk
Prehistoric Future
Between the Black Box and the White Cube
Aspects
Afterall
Afterall
Nicht Disneyland
Hamza Walker
Critical Digital Art History
Girls! Girls! Girls! In Contemporary Art
Ernst Gubler - Max Gubler
Max Vogt - Bauen für die Bahn 1957-1989
Museum, Inc.
Beyond the Visual
Permission to Laugh
Jeffrey Gibson
Czech Secession
Hybrid Ecologies
Performing Chance
Global Culture after Gombrich
Temporary Monuments
Une Suisse exotique ?
Afterall
Afterall
Afterall
Afterall
Going Public
Without Model
Taste
Fear and Art in the Contemporary World
Interstices
Kunstgeschichten
Metropolitan Museum Journal, 2020
Metropolitan Museum Journal, Volume 54, 2019
NO Rhetoric(s)
The Art of Describing
Art in Mind
Briefwechsel
Radical Coherency
A Cubism Reader
Today Is Always Yesterday
The Artemisia Files
Loving Yusuf
A Mieke Bal Reader
Of What One Cannot Speak
The Mother Goddess in Italian Renaissance Art
Bright Earth
Ritual and Capital
Time and the Digital
Locked In and Out
Chromophobia
Afterall
Art from Start to Finish
Illustrating the Good Life: The Pissarros’ Eragny Press, 1894–1914
Women Artists in Midcentury America
Kunsttechnologische Forschungen zur Malerei von Cuno Amiet 1883–1914
ambivalent work*s
Worlds of Appearance
Ferdinand Hodler. Landschaften
Pictures and the Past
Afterall
Afterall
Afterall
Afterall
Afterall
‘Race Is Everything’
Leon Golub Powerplay
The Politics of Urban Beauty
Art in an Age of Civil Struggle, 1848-1871
Ecce Homo
Other Things
Journey
Circulation
Surface
Fray
Looking at the Overlooked
Display, Distribute, Disrupt
Parallel Texts
The Connoisseur
The Camera Does the Rest
The Art Public
Learning from Madness
Off-Screen Cinema
Imaginable Worlds
More Voice-Over
Afterall
The Never Taken Images
Symbolism, Dada, Surrealisms
Fluxus Administration
Questions of Evidence
Objects in Air
Contemporary Asian Art at Biennials
Water and Art
A Hero in His Time
Visual Imaginations and Modern Jewish History
Touched by the Mother
Signs and Signals from Vietnam
Sonic Flux
An Audience of Artists
Before Pictures
Friedrich Kuhn (1926-1972)
Versed in Living Nature
Aesthetics at Large
Clement Greenberg Between the Lines
Duchamp’s Telegram
Sewn in the Sweatshops of Marx
Arthur Dove
Liquidity, Flows, Circulation
Thinking Out of Sight
The Truth in Painting
Not-Forgetting
Counter-Texts
Atlas, or the Anxious Gay Science
Movements of Air
Shiny Things
Too Big To Scale
The Wind Tunnel Model
SpecLab
Sweet Dreams
Jack Goldstein
Please RSVP
Points of Convergence
Qu’est-ce que l’art contemporain ?
In the Aftermath of Trauma
On Withdrawal—Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices
Tekstura
A Mythology of Forms
The Abu Ghraib Effect
The Cry of Nature
Artificial Darkness
What Happened to Art Criticism?
The Art of Diremption
Afterall
Afterall
Inspiring Writing in Art and Design
Reframing Reality
The Power of Images
Hannes Schüpbach. Cinema Elements
Absorption and Theatricality
Art and Objecthood
French Suite
A Roger Fry Reader
Constructivism
EL CONSTRUCTIVISMO
Revolving Documents—Narrations of the Beginnings
Inadvertent Images
Begegnung mit der Vergangenheit
Briefwechsel mit seinen Eltern, Freunden und Sammlern
Nationalism and Cosmopolitanism in Avant-Garde and Modernism
Vera Röhm
Antony Gormley on Sculpture
After the Crisis
Après la Crise
Henry Wessel
Flying Out of this World
The Collected Essays and Criticism, Volume 1
The Collected Essays and Criticism, Volume 2
The Collected Essays and Criticism, Volume 3
The Collected Essays and Criticism, Volume 4
Hans Holbein
The Pensive Image
The Rhetoric of Perspective
The Attractions of the Moving Image
Each One Another
The Ascetic Imperative in Culture and Criticism
Fluxus Forms
The Great Debate about Art
Une collecte d’images
Confronting Identities in German Art
Brushstroke and Emergence
Sculpture
Suspended Waters
Making Theory/Constructing Art
Artistic License
25 Women
Perfect Wave
Peter Halley
A Violent Embrace
To Break and to Branch
Shadows and Light: Symbolist Art in Belgium
Collaborating in Conflict
Resisting Abstraction
Displacement
Genius Loci
The Objective Eye
Aesthetics and the Theory of Criticism
Photography, Trace, and Trauma
Writing Art History
Fish in Art
Experimental Games
Network Aesthetics
Zofia Kulik
Images of Malice
The Global Work of Art
The Reconciliation of Modernism
Invented Skins
On Art
A Wise One, a Warrior
Chromatic Algorithms
Toward a Geography of Art
Critique
Contemporary Korean Art
Collections of Nothing
So Near, So Far
Caspar David Friedrich and the Subject of Landscape
Willem de Kooning Nonstop
Lion Monument 21
A Future for the Past
Sensitive, Problematic, Contested?
Isa Genzken
What Are Objects?
The Liberation of Painting
Into the Light of Things
Pay for Your Pleasures
Dreamland of Humanists
eco-operations
Feminism in Revolt
Haydn’s Sunrise, Beethoven’s Shadow
An Affect of an Experience
The Idea of the Avant Garde
Hans Josephsohn
Hans Josephsohn
Adam Pendleton
Design Discourse
Before Disenchantment
Serendipity
The Art of the Chinese Picture-Scroll
"Raw," "Weirdo," and Beyond
Double Nation
Framed Spaces
Rencontre
Systems We Have Loved
The Trial(s) of Psychoanalysis
Against the Avant-Garde
Epistemologies of Aesthetics
Manifesto of Artistic Research
Metropolitan Museum Journal, Volume 53, 2018
Metropolitan Museum Journal, 2021
Metropolitan Museum Journal, 2022
Metropolitan Museum Journal, 2023
Metropolitan Museum Journal, 2024
Metropolitan Museum Journal, 2025
The Art of Return
Music, the Arts, and Ideas
Ladies of the Throne
Interventions
Andrey Rublev
Iconology
The Language of Images
Occupy
Picture Theory
What Do Pictures Want?
Wilfrid Moser: Milestones
Filippino Lippi
Critical Terms for Art History, Second Edition
Monuments and Memory, Made and Unmade
Lorenzo Ghiberti
Paolo Veronese and the Nobility of Painting
Classicisms
Audubon as Artist
Atomic Postcards
Meaning in the Visual Arts
On the Animation of the Inorganic
Subject–Object Art Theory
Unpackaging Art of the 1980s
The Futurist Moment
Islands and Contemporary Art
Philosophy by Other Means
Kunst und Dorf
The Net Effect
Paris Primitive
Bernard Palissy and the Arts of the Earth
Degrees of Separation
Something Flashed, Something Broke, Something Remained
In Touch: Encounters between Art and Research
The Decision Between Us
The Logic of the Lure
De-blading the Knife
Francisco de Zurbarán and the Fabric of the World
Scale
Gathering
What Philosophy Wants from Images
Doris Salcedo
Fredrik Vaerslev
The Way of the Shovel
Zoya Cherkassky
Interpreting Art
Art on the Edge
The De-Definition of Art
The Judicious Eye
Partitioning Bazaar Art
Josef Albers, Late Modernism, and Pedagogic Form
Transfigurements
Turning Away
Daguerreotypes
Making Memory Matter
On Modern Art
The Prints of Emil Nolde: (1897–1956)
Imaginary Animals
Romanesque Architectural Sculpture
Art Without Borders
Schechner Plays
Inventory and Hinge
In-action
The Escape
Myself and My Aims
The Place of the Symbolic
Archaeologies of Vision
Photography, History, Difference
Between Sense and de Kooning
The Invention of Art
Criticism Without Authority
Old Age in Art
Georg Simmel
International Departures
Hélio Oiticica
What Is Contemporary Art?
Sleeping Beauty
Foreshadowed
Painting, History and Meaning
Ribbon of Darkness
Art in the Age of Populism
Largesse
Michelangelo’s Painting
Michelangelo’s Sculpture
Modern Art
Other Criteria
Picasso
Renaissance and Baroque Art
Pictures of Romance
The Real Real Thing
The Scandal of Pleasure
Venus in Exile
Ecological Aesthetics
Ruth Duckworth: Life as a Unity
Bookwork
Transmedium
The Open Studio
Concerning Consequences
Darker Shades
The Concept of Tradition
Discovering Each Other
Letters
The Local and the Global
A Matter of Perspective
Theory Text Context
William Kentridge
Learning to Look
The Picture in Question
Pictorial Composition from Medieval to Modern Art
Scenes of the Avant-Garde
The Lost Generation | La generación perdida
Mariano
Gutai
The Art of Mechanical Reproduction
The Private Lives of Pictures
Written on Bamboo and Silk
Prehistoric Future
Between the Black Box and the White Cube
Aspects
Afterall
Afterall
Nicht Disneyland
Hamza Walker
Critical Digital Art History
Girls! Girls! Girls! In Contemporary Art
Ernst Gubler - Max Gubler
Max Vogt - Bauen für die Bahn 1957-1989
Museum, Inc.
Beyond the Visual
Permission to Laugh
Jeffrey Gibson
Czech Secession
Hybrid Ecologies
Performing Chance
Global Culture after Gombrich
Temporary Monuments
Une Suisse exotique ?