TV Museum takes as its subject the complex and shifting relationship between television and contemporary art. Informed by theories and histories of art and media since the 1950s, this book charts the changing status of television as cultural form, object of critique, and site of artistic invention. Through close readings of artworks, exhibitions, and institutional practices in diverse cultural and political contexts, Connolly demonstrates television’s continued importance for contemporary artists and curators seeking to question the formation and future of the public sphere. Paying particular attention to developments since the early 2000s, TV Museum includes chapters on exhibiting television as object; soaps, sitcoms, and symbolic value in art and television; reality TV and the social turn in art; TV archives, memory, and media events; broadcasting and the public realm; TV talk shows and curatorial practice; art workers and TV production cultures.
Lavishly illustrated and with in-depth discussion of over fifty canonical and contemporary artworks, TV Museum offers a new approach to the analysis of television’s place within contemporary art and culture.
Lavishly illustrated and with in-depth discussion of over fifty canonical and contemporary artworks, TV Museum offers a new approach to the analysis of television’s place within contemporary art and culture.
Reviews
Table of Contents
Acknowledgements
Introduction: Contemporary Art and the Age of Television
1. Sets, Screens and Social Spaces: Exhibiting Television
2. Quality Television and Contemporary Art: Soaps, Sitcoms and Symbolic Value
3. Reality TV, Delegated Performance and the Social Turn
4. European Television Archives, Collective Memories and Contemporary Art
5. Monuments to Broadcasting: Television and Art in the Public Domain
6. Talk Shows: Art Institutions and the Discourse of Publicness
7. Production on Display: Television, Labour and Contemporary Art
Conclusion: Contemporary Art After Television
Notes
References
Index